A Quarter-Saw Section of Motivations and Intonations: Prelude to Talk
02:14
26
A Quarter-Saw Section of Motivations and Intonations: Introduction to Examples Oo Intonation
06:05
27
A Quarter-Saw Section of Motivations and Intonations: Scale of Olympos (Pentatonic)
01:05
28
A Quarter-Saw Section of Motivations and Intonations: Enharmonic Scale of Archytas; Separated by 3/2's; Triads
01:35
29
A Quarter-Saw Section of Motivations and Intonations: Scale of Pythagoras; Separated by 3/2's; Triads
01:07
30
A Quarter-Saw Section of Motivations and Intonations: Ptolemaic Intense Diatonic; Separated by 3/2's; Triads
00:53
31
A Quarter-Saw Section of Motivations and Intonations: Ptolemy's Equable Diatonic; Separated by 3/2's
01:24
32
A Quarter-Saw Section of Motivations and Intonations: Terpander's Hexatonic
01:52
33
A Quarter-Saw Section of Motivations and Intonations: Close Degrees
01:08
34
A Quarter-Saw Section of Motivations and Intonations: True and Tempered Triads
01:23
35
A Quarter-Saw Section of Motivations and Intonations: Resolutions from p. 186 of Genesis of a Music; Resolution p. 187; "Familiar" Resolution
02:25
36
A Quarter-Saw Section of Motivations and Intonations: Fox-Strangeways Resolutions
02:27
37
A Quarter-Saw Section of Motivations and Intonations: Tonal Flux from Genesis, p. 188; Tonal Flux from The Letter and Third Chorus of Oedipus; Another p. 188; Tonal Flux from Antiphony of Oedipus, "O Crowding Woods…"
03:56
38
A Quarter-Saw Section of Motivations and Intonations: Multiple Tonal Senses from Antiphony of Oedipus, "O Crowding Woods…"
02:39
39
A Quarter-Saw Section of Motivations and Intonations: Multiple Tonal Senses from Dark Brother, "and we who were lost are found again…"; "until our hearts are corrupted, out talent wasted, and our hope gone."; "Have we not known triumph, joy, and glory on
04:04
40
A Quarter-Saw Section of Motivations and Intonations: Melodic Subtleties from The Street, "Down Maxwell Street, where the prostitutes stand in the gloom…", U.S. Highball, "Back to the freights for you, boy."
01:45
41
A Quarter-Saw Section of Motivations and Intonations: Melodic Subtleties from The Bewitched
06:12
42
A Quarter-Saw Section of Motivations and Intonations: Instrumental Tunings: Harmonic Canon I as in Revelation; Petals; Chromelodeon two sets of reeds; Revelation
10:42
43
A Quarter-Saw Section of Motivations and Intonations: Dissonances and Consonance: Coda to Oedipus; Coda to Revelation
06:52
44
Bitter Music: June 11, 1935 — Santa Rosa, California
