| | | Suite bergamasque, L 75: Clair de lune | | | | |
| | | Suite bergamasque, L 75: I. Prélude | | | | |
| | | Suite bergamasque, L 75: II. Menuet | | | | |
| | | Suite bergamasque, L 75: IV. Passepied | | | | |
| | | Deux arabesques (Two Arabesques), L 66: No. 1 | | | | |
| | | Premiere Rhapsody for Clarinet and Orchestra, L 116 | | | | |
| | | Sonata in G Minor for Violin and Piano, L 140: II. Intermède: Fantasque et léger | | | | |
| | | Nocturnes, L 91: III. Sirènes (Sirens) | | | | |
| | | Children's Corner, L 113: I. Doctor Gradus ad Parnassum | | | | |
| | | Children's Corner, L 113: IV. The Snow is Dancing | | | | |
| | | Children's Corner, L 113: VI. Golliwogg's Cake-walk | | | | |
| | | Prélude à l'après-midi d'un faune (Prelude to a Faun's Afternoon), L 86 | | | | |
| | | Préludes, Book I, L 117: X. La Cathédrale Engloutie (The Sunken Cathedral): Profondément calme | | | | |
| | | Préludes for Piano (Book 2), L 123: VII. La terrasse des audiences du clair de lune (The Terrace for Moonlit Audiences): Lent | | | | |
| | | Préludes, Book I, L 117: VIII. La fille aux cheveux de lin (The Girl with the Flaxen Hair): Très calme et doucement expressif | | | | |
| | | Estampes (Woodcuts), L 100: I. Pagodes (Pagodas) | | | | |
| | | Petite Suite, L 65: I. En bateau (In the Boat) | | | | |
| | | Nocturnes, L 91: II. Fêtes (Festivals) | | | | |
| | | Syrinx for Solo Flute, L 129 | | | | |
| | | Suite Bergamasque, L 75: Clair de lune (orchestral arrangement) | | | | |