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Brahms: Symphony No. 4 in E Minor, Op.98: II. Andante moderato
Brahms: Symphony No. 4 in E Minor, Op.98: II. Andante moderato
Brahms: Symphony No. 4 in E Minor, Op.98: IV. Allegro energico e passionato
Tchaikovsky: Symphony No. 4 in F Minor, Op.36: I. Andante sostenuto. Moderato con anima
Tchaikovsky: Symphony No. 4 in F Minor, Op.36: II. Andantino in modo di canzona
Tchaikovsky: Symphony No. 4 in F Minor, Op.36: III. Scherzo: Pizzicato ostinato
Tchaikovsky: Symphony No. 4 in F Minor, Op.36: IV. Finale: Allegro con fuoco
Tchaikovsky: Symphony No. 6 in B Minor, Op.74 ('Pathétique'): I. Adagio. Allegro non troppo
Tchaikovsky: Symphony No. 6 in B Minor, Op.74 ('Pathétique'): II. Allegro con grazia
Tchaikovsky: Symphony No. 6 in B Minor, Op.74 ('Pathétique'): III. Allegro molto vivace
Tchaikovsky: Symphony No. 6 in B Minor, Op.74 ('Pathétique'): IV. Finale: Adagio lamentoso
Sibelius: Symphony No. 2 in D Major, Op.43: I. Allegretto
Sibelius: Symphony No. 2 in D Major, Op.43: II. Tempo andante ma rubato
Sibelius: Symphony No. 2 in D Major, Op.43: III. Vivacissimo
Sibelius: Symphony No. 2 in D Major, Op.43: IV. Finale: Allegro moderato
Sibelius: Symphony No. 5 in E-flat Major, Op.82: I. Tempo molto moderato
Sibelius: Symphony No. 5 in E-flat Major, Op.82: II. Andante mosso, quasi allegretto
Sibelius: Symphony No. 5 in E-flat Major, Op.82: III. Allegro molto. Allegro commodo. Largamente molto
Mahler: Symphony No. 1 in D ('Titan'): I. Langsam. Schleppend
Mahler: Symphony No. 1 in D ('Titan'): II. Kräftig bewegt, doch nicht zu schnell
Mahler: Symphony No. 1 in D ('Titan'): III. Feierlich und gemessen, ohne zu schleppen
Mahler: Symphony No. 1 in D ('Titan'): IV. Stürmisch bewegt
Mahler: Symphony No. 2 in C Minor ('Resurrection'): i. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
Mahler: Symphony No. 2 in C Minor ('Resurrection'): ii. Andante moderato. Sehr gemächlich. Nie Eilen
Mahler: Symphony No. 2 in C Minor ('Resurrection'): iii. Scherzo. In ruhig fliessender Bewegung
Mahler: Symphony No. 2 in C Minor ('Resurrection'): iv. Urlicht: Sehr feierlich, aber schlicht
Mahler: Symphony No. 2 in C Minor ('Resurrection'): v. Im Tempo des Scherzos. Wild herausfahrend
Mahler: Symphony No. 5 in C-sharp Minor: i. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
Mahler: Symphony No. 5 in C-sharp Minor: ii. Stürmisch bewegt. Mit größter Vehemenz
Mahler: Symphony No. 5 in C-sharp Minor: iii. Scherzo. Kräftig, nicht zu schnell
Mahler: Symphony No. 5 in C-sharp Minor: iv. Adagietto. Sehr langsam
Mahler: Symphony No. 5 in C-sharp Minor: v. Rondo-Finale: Allegro
Mahler: Symphony No.9 in D Major: i. Andante comodo
Mahler: Symphony No.9 in D Major: ii. Im Tempo Eines Gemachlichen Landlers. Etwas Tappisch Und Sehr Derb
Mahler: Symphony No.9 in D Major: iii. Rondo-Burleske. Allegro Assai. Sehr Trotzig
Mahler: Symphony No.9 in D Major: iv. Adagio. Sehr Langsam Und Noch Zuruckhaltend
Ives: Symphony No. 1: i. Allegro
Ives: Symphony No. 1: ii. Adagio molto
Ives: Symphony No. 1: ii. Adagio molto
Ives: Symphony No. 1: ii. Adagio molto
Ives: Symphony No. 2: i. Andante maestoso; Allegro
Ives: Symphony No. 2: ii. Adagio cantabile
Ives: Symphony No. 2: iii. Lento maestoso; Allegro molto vivace
ves: Symphony No. 3, “The Camp Meeting”: i. Old Folks Gatherin’: Andante maestoso
Ives: Symphony No. 3, “The Camp Meeting”: ii. Children’s Day: Allegro
Ives: Symphony No. 3, “The Camp Meeting”: iii. Communion: Largo
℗© Vanguard Classics
