Great Composers in Words & Music: Antonín Dvořák

Nicholas Boulton

38 TITRES • 1 HEURE ET 13 MINUTES • JUL 14 2023

6

10 Biblical Songs, Op. 99, B. 185: No. 6, Slyš, ó Bože, volání mé (Excerpt)

Iwona Sakowicz & Manuel Lange

00:57

7

Antonín Leopold Dvořák was born on 8 September 1841 in the village of Nelahozeves, near Kralupy, in Bohemia, approximately 28km north of Prague

02:48

8

Symphony No. 6 in G Major, Op. 116 "Historische Symphonie im Styl und Geschmack vier verschiedener Zeitabschnitte": IV. Allerneueste Periode, 1840. Allegro vivace (Excerpt)

Slovak State Philharmonic Orchestra, Košice & Alfred Walter

00:38

9

Reflecting on this period of the composer's life, Zubatý (the Czech writer mentioned previously) wrote…

02:31

10

Symphony No. 1 in C Minor, B. 9 "The Bells of Zlonice": II. Adagio molto (Excerpt)

Slovak Philharmonic Orchestra & Stephen Gunzenhauser

00:49

11

Dvořák's first symphony, composed between February and March 1865, began life as a submission to a German composition competition…

01:34

12

Symphony No. 1 in C Minor, B. 9 "The Bells of Zlonice": I. Maestoso - Allegro (Excerpt)

Slovak Philharmonic Orchestra & Stephen Gunzenhauser

01:48

13

In early 1865, Dvořák started teaching piano to the daughters of a Prague goldsmith: one of the two, Anna Čermáková would later become his wife…

01:24

14

String Quartet No. 4 in E Minor, B. 19: I. Assai con moto ed energico (Excerpt)

Fine Arts Quartet

01:04

15

Before he left the Provisional Theatre orchestra in the summer of 1871, Dvořák was the subject of an announcement in a leading local music journal

03:57

16

Král a uhlíř, B. 21, Act I Scene 9: Jaký zvuk to jest? (Excerpt)

Michelle Breedt, Dalibor Jenis, Peter Mikulas, Prague Chamber Chorus, Cologne West German Radio Chorus, Cologne West German Radio Symphony Orchestra & Gerd Albrecht

00:42

17

It seems that Dvořák's revision of the opera between 1873 and 1874 was but part of a larger stylistic renovation being undertaken by the composer at the time

02:06

18

Moravské dvojzpěvy, Op. 32, B. 62: No. 2, Veleť vtáčku (Excerpt)

Michaela Rózsa Růžičková, Hana Dobešová & Ladislava Vondrácková

00:45

19

In response to Dvořák's multi-composition submission for the 1877 stipendium, Brahms singled out the Moravian Duets for special praise

02:16

20

Slavonic Dances, Op. 46, B. 83: No. 1 in C Major (Excerpt)

Slovak Philharmonic Orchestra & Zdenek Kosler

00:54

21

While this style of music might be regarded, somewhat cynically, as a kind of opportunistic "tourist nationalism" (to quote a recent historian), listeners in Dvořák's time thought the very opposite…

02:47

22

Piano Trio No. 3 in F Minor, Op. 65, B. 130: I. Allegro ma non troppo (Excerpt)

00:58

23

In August 1883, Dvořák received a prestigious invitation: the London Philharmonic Society requested his presence as conductor (of his own orchestral works) in their forthcoming concert season

01:22

24

Stabat Mater, Op. 58, B. 71 (1876 Version): Stabat mater dolorosa (Excerpt) (1876 Version)

Washington Orchestra & Robert Shafer

00:53

25

Dvořák left Prague for London on 5 March 1884: eight days later he was conducting the Stabat Mater in the Royal Albert Hall

03:13

26

Piano Trio No. 4 in E Minor, Op. 90, B. 166 "Dumky": I. Lento maestoso - Allegro vivace, quasi doppio movimento - Tempo I (Excerpt)

Ilya Kaler, Amit Peled & Alon Goldstein

02:01

27

In 1891, the same year Dvořák completed the "Dumky" Trio, he took up the position of professor of composition and instrumentation at the Prague Conservatory

03:20

28

Te Deum, Op. 103, B. 176: Te Deum laudamus (Excerpt)

Orfeón Pamplonés, Orquesta Sinfónica de Navarra & Antoni Wit

01:32

29

The premiere of the Te Deum within the celebratory concert, which took place on 21 October 1892 at New York's Carnegie Hall, was preceded by a concert address by the American musical patron…

03:11

30

Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": III. Scherzo. Molto vivace (Excerpt)

Slovak Philharmonic Orchestra & Stephen Gunzenhauser

01:28

31

Following the premiere of his Ninth Symphony, Dvořák may well have looked forward to a prosperous and productive period in New York

03:37

32

Cello Concerto in B Minor, Op. 104, B. 191: III. Finale. Andante - Allegro vivo (Excerpt)

Maria Kliegel, Royal Philharmonic Orchestra & Michael Halasz

01:14

33

The next - and, indeed, the penultimate - phase in Dvořák's compositional journey seems to have emerged from his previous interest in music's extra-musical associations…

02:59

34

The Water Goblin, Op. 107, B. 195 (Excerpt)

Polish National Radio Symphony Orchestra & Antoni Wit

01:38

35

During his final years, Dvořák became the recipient of various honours…

03:50

36

Armida, Op. 115, B. 206, Act I Scene 1: Jak z dervišových prstů řinou (Excerpt)

Roman Janál, Prague Chamber Chorus, Czech Philharmonic Orchestra & Gerd Albrecht

01:40

37

Dvořák is said to have departed the theatre early on the evening of 25 March 1904, during the premiere of Armida at the National Theatre in Prague…

02:33

38

Hymnus ad laudes in festo Sanctae Trinitatis, B. 82 (Excerpt)

Iwona Sakowicz & Peter Frisee

01:07

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