23 Symphony No. 4: II. In gemächlicher Bewegung, ohne Hast
24 Symphony No. 4: III. Ruhevoll, poco adagio
25 Symphony No. 4: IV. Sehr behaglich. "Wir geniessen die Himmlischen Freuden" (Soprano)
26 Symphony No. 4: I. Bedächtig, nicht eilen
27 Symphony No. 4: II. In gemächlicher Bewegung, ohne Hast
28 Symphony No. 5, Pt. 1: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
29 Symphony No. 5, Pt. 1: II. Stürmisch bewegt, mit grösster Vehemenz
30 Symphony No. 5, Pt. 2: III. Scherzo. Kräftig, nicht zu schnell
31 Symphony No. 5, Pt. 3: IV. Adagietto. Sehr langsam
32 Symphony No. 5, Pt. 3: V. Rondo-Finale. Allegro
33 Symphony No. 5, Pt. 3: IV. Adagietto. Sehr langsam
34 Symphonic No. 6 "Tragic": I. Allegro energico, ma non troppo. Heftig, aber markig.
35 Symphonic No. 6 "Tragic": III. Andante moderato
36 Symphonic No. 6 "Tragic": II. Scherzo. Wuchtig
37 Symphonic No. 6 "Tragic": IV. Finale. Sostenuto - Allegro moderato - Allegro energico
38 Symphony No. 7: I. Langsam - Etwas weniger langsam - Nicht schleppen - Allegro con fuoco
39 Symphony No. 7: II. Nachtmusik. Allegro moderato
40 Symphony No. 7: III. Scherzo. Schattenhaft
41 Symphony No. 7: IV. Nachtmusik. Andante amoroso
42 Symphony No. 7: V. Rondo - Finale. Tempo I (Allegro ordinario)
43 Symphony No. 7: III. Scherzo. Schattenhaft
44 Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Veni, creator spiritus" (Chorus 1, Chorus 2)
45 Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Imple superna gratia" (Soprano 1, Tenor, Soprano 2, Contralto 1, Contralto 2, Baritone, Bass, Chorus 1, Chorus 2)
Joyce Barker, Beryl Hatt, Kerstin Meyer, Helen Watts, Kenneth Neate, Alfred Orda, Arnold van Mill, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, London Symphony Orchestra & Jascha Horenstein
46 Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Infirma nostri corporis" (Chorus 1, Chorus 2, Soprano 1, Soprano 2, Contralto 1, Contralto 2, Tenor, Bass, Baritone)
Joyce Barker, Beryl Hatt, Kerstin Meyer, Helen Watts, Kenneth Neate, Alfred Orda, Arnold van Mill, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, London Symphony Orchestra & Jascha Horenstein
47 Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: Tempo primo. Allegro, etwas hastig
48 Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Infirma nostri corporis" (Bass, Tenor, Contralto 1, Contralto 2, Baritone, Soprano 1, Soprano 2)
49 Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Accende lumen sensibus" (Soprano 1, Soprano 2, Contralto 1, Contralto 2, Tenor, Baritone, Bass, Boys' Choir, Chorus 1, Chorus 2)
Joyce Barker, Beryl Hatt, Kerstin Meyer, Helen Watts, Kenneth Neate, Alfred Orda, Arnold van Mill, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, Emanuel School Boy's Choir, Orpington Junior Singers, London Symphony Orchestra & Jascha Horenstein
50 Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Veni, creator spiritus" (Soprano 1, Soprano 2, Contralto 1, Contralto 2, Tenor, Baritone, Bass, Chorus 1, Chorus 2, Boys' Choir)
Joyce Barker, Beryl Hatt, Kerstin Meyer, Helen Watts, Kenneth Neate, Alfred Orda, Arnold van Mill, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, Emanuel School Boy's Choir, Orpington Junior Singers, London Symphony Orchestra & Jascha Horenstein
51 Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Gloria sit Patri Domino" (Boys' Choir, Soprano 1, Soprano 2, Contralto 1, Contralto 2, Tenor, Chorus 1, Chorus 2, Baritone, Bass)
Joyce Barker, Beryl Hatt, Kerstin Meyer, Helen Watts, Kenneth Neate, Alfred Orda, Arnold van Mill, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, Emanuel School Boy's Choir, Orpington Junior Singers, London Symphony Orchestra & Jascha Horenstein
52 Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": Poco adagio - Più mosso. (Allegro moderato)
53 Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Waldung, sie schwankt heran" (Chorus 1, Chorus 2)
54 Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Ewiger Wonnebrand" (Pater ecstaticus)
55 Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Wie Felsenabgrund mir zu Füssen" (Pater profundus)
56 Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Gerettet ist das edle Glied der Geisterwelt .. Hände verschlinget euch" (Chor der Engel, Chor seliger Knaben)
57 Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Jene Rosen aus den Händen" (Chor der jüngeren Engel)
58 Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Uns bleibt ein Erdenrest" (Die vollendeteren Engel, Contralto)
59 Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Ich spür' soeben" (Die jüngeren Engel) - "Hier ist die Aussicht" (Doctor Marianus) - "Höchste Herrscherin der Welt!" (Doctor Marianus, Chorus 1, Chorus 2)
60 Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Dir, der Unberührbaren" (Chorus 1, Chorus 2) - Chor de Büβerinnen, "Du schwebst zu Höhen der ewigen Reiche" (Chorus 2, Una Poenitentium)
61 Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Bei der Liebe" (Magna Peccatrix) - "Bei dem Bronn" (Mulier Samaritana) - "Bei dem hochgeweihten Orte" (Maria Aegyptiaca) - "Neige, neige" (Una poenitentium)
62 Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Er überwächst uns schon" (Selige Knaben) - "Vom edlen Geisterchor umgeben" (Una poenitentium) - "Komm! hebe dich zu höhern Sphären!" (Mater gloriosa)
63 Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Blicket auf zum Retterblick, alle reuig Zarten" (Doctor Marianus)
64 Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus)
Joyce Barker, Beryl Hatt, Agnes Giebel, Kerstin Meyer, Helen Watts, Kenneth Neate, Alfred Orda, Arnold van Mill, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, Emanuel School Boy's Choir, Orpington Junior Singers, London Symphony Orchestra & Jascha Horenstein
65 Symphony No. 9: I. Andante comodo
66 Symphony No. 9: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb
67 Symphony No. 9: III. Rondo-Burleske. Allegro assai - Sehr trotzig
68 Symphony No. 9: IV. Adagio. Sehr langsam und noch zurückhaltend
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